Jon Behrens

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Movie of the Week : Crack in the World (1965)

Posted on June 25, 2016 by Jon Behrens

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The first time I saw this film was in the early seventies during a summer matinée film series at Crossroads Cinema in Bellevue Washington. This film was made long before CGI, all the effects were done using matte boxes, rear projection , optical printers, models and miniature sets. Every was done on film and what you see is what you get. I really love the production style of a lot of the early to mid sixties Paramount Pictures releases. The colors, the sets and over all look is great. I recently rediscovered this classic while re organizing my blu-ray and dvd collection. So I thought I might make it this weeks Movie of the Week. I hope you enjoy it

Crack in the World is a 1965 American science-fiction doomsday disaster movie filmed in Spain. It is about scientists who launch a rocket in the Earth’s core to research its geothermal energy but accidentally unleash a cataclysmic destruction that threatens to sever the earth in two. It was released by Paramount Pictures on February 24, 1965.

Plot
An international consortium of scientists, operating as Project Inner Space in Tanganyika, Africa, is trying to tap into the Earth’s geothermal energy by drilling a very deep hole down to the Earth’s core. The scientists are foiled by an extremely dense layer of material at the boundary between the two. To penetrate the barrier and reach the magma below, they intend to detonate an atomic device at the bottom of the hole.

The leader of the project, Dr. Stephen Sorenson (Dana Andrews), who is secretly dying of cancer, believes that the atomic device will burn its way through the barrier, but the project’s chief geologist, Dr. Ted Rampion (Kieron Moore), is convinced that the lower layers of the crust have been weakened by decades of underground nuclear tests, and that the detonation could produce a massive crack that would threaten the very existence of Earth.

The atomic device is used and Rampion’s fears prove justified, as the crust of the Earth develops an enormous crack that progresses rapidly. Sorenson discovers that there was a huge reservoir of hydrogen underground, which turned the small conventional atomic explosion into a huge thermonuclear one that was millions of times more powerful. Another atomic device is used in the hope of stopping the crack, but it only reverses the crack’s direction. Eventually the crack returns to its starting point at the test site, and a huge chunk of the planet outlined by the crack is expected to be thrown out into space. Sorenson remains at the underground control center to record the event despite pleas by his wife Maggie to evacuate with the rest of the project staff. She and Rampion barely escape in time to observe the fiery birth of a second moon. Its release stops the crack from further splitting the Earth

From Wikipedia, the free encyclopedia

 

 

Filed Under: Films Tagged With: movie of the week

Movie of the Week : I Was a Teenage Frankenstein (1957)

Posted on June 18, 2016 by Jon Behrens

image1-12This was one of my favorite AIP films from the late fifties. I really hope someday it gets a proper dvd or blu-ray release as so many other great classic have. Maybe they could even pair it up with Teenage Werewolf .

I Was a Teenage Frankenstein (aka Teenage Frankenstein) is a film starring Whit Bissell, Phyllis Coates and Gary Conway, released by American International Pictures (AIP) in November 1957 as a double feature with Blood of Dracula. It is the follow-up to AIP’s box office hit I Was a Teenage Werewolf, released less than five months earlier. Both films later received a sequel in the fictional crossover How to Make a Monster, released in July 1958. The film stars Whit Bissel, Phyllis Coates, Robert Burton, Gary Conway and George Lynn.

Professor Frankenstein (Whit Bissell), a guest lecturer from England, talks Dr. Karlton (Robert Burton) into becoming an unwilling accomplice in his secret plan to actually assemble a human being from the parts of different cadavers. After recovering a body from a catastrophic automobile wreck, Professor Frankenstein takes the body to his laboratory-morgue, where in various drawers he keeps spare parts of human beings. The Professor also enlists the aid of Margaret (Phyllis Coates), as his secretary, to keep all callers away from the laboratory.

Margaret, becoming suspicious of what is going on, decides to investigate and goes down to the morgue. She is panic-stricken by the monster (Gary Conway), who has been activated following the grafting of a new leg and arm. She dares not tell the Professor about her feelings and keeps silent for the present. On a couple of occasions, the professor takes discarded human body parts…and feeds them to an alligator concealed in a hidden chamber.

One night, the monster leaves the laboratory. He peers into a girl’s apartment. The girl becomes hysterical and starts screaming; in his attempt to silence her, he kills her in panic and flees. The next morning, the hunt for the murderer is on. Margaret, angry at the Professor, tells him that she knows that the monster is responsible for the murder. The Professor, taking no chances—has the monster kill her and feeds her remains to the alligator. Dr. Karlton, sent out of town, knows none of this.

The Professor accompanies the monster to a Lover’s Lane, where he kills a teenage boy in order to obtain his face. The boy’s face is successfully grafted onto the monster. Professor Frankenstein tells Dr. Karlton of his plans to dismember his creation and ship him in various boxes to England and then return there to put him together again. When they strap the monster down again, he becomes suspicious and tears loose—to throw Dr. Frankenstein into the alligator pit—while Dr. Karlton runs for help.

When Dr. Karlton arrives with the police, the monster, maddened with fright, backs into the electrical dial board. Contact with the iron wrist bands electrocutes him, and he falls to the ground, dead. Karlton tells the police that he’ll never forget the way the monster’s face looked after the accident, and that shot dissolves into a close up of the original mangled face.

Production:
I Was a Teenage Werewolf had been a big success for AIP, and a Texas exhibitor requested two new horror movies from the studio if they could be ready by Thanksgiving. American International Pictures commissioned Herman Cohen to make I Was a Teenage Frankenstein, and Blood of Dracula. Cohen says the two films were written and put in front of the cameras in only four weeks, “so I had to really, really cut down” in terms of production values.

I Was a Teenage Frankenstein was filmed in black-and-white, with the ending in color for a vivid effect. The film was shot at Ziv studios. Cohen says that the alligator they hired for the movie had been used to dispose of bodies by serial killer Joe Ball from a small town outside Dallas.

From Wikipedia, the free encyclopedia

Filed Under: Films Tagged With: AIP, Herman Cohen, movie of the week

The Colors of Boulder in the Summer : SIFF 2016

Posted on May 13, 2016 by Jon Behrens

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in the summer of 1997 I went to Boulder Colorado for a holiday. During this time we attended some poetry things at Naropa and and some cinematic things at the University of Colorado. I had my bolex with me the whole time and I shot little bursts of images along the way. The film sat in its can on a shelf in my studio until the early part of 2014 when I began to experiment with the images on my optical printer.

THE COLORS OF BOULDER IN THE SUMMER
THE 42 SEATTLE INTERNATIONAL FILM FESTIVAL
ALT SHORTS
MAY 26TH – 9:15 PM

The Colors of Boulder in the Summer : excerpt (2015) from Jon Behrens on Vimeo.

Filed Under: Films Tagged With: Experimental Cinema, Jon Behrens

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